![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTag0Mffl4sqM47-533Y1cVKZCqE8j1t0_uY7pZ678V4_LnTmQz9Uv_79EVenQLKe9aTPPrWtRIKXVamhmDqvvSeT4_5NgSpFOenlVnaGXD0Wd-81hHJYqjRqgEHH4II71nxg4saWu_g/s800/CedricRivrainDoLanvinCT.jpg)
As a rule, I don't like to 'steal' posts from another blogger. When I take time out to visit blogs I like to read new stories and discover new designers and gems, rather than re-reading the same information and seeing the same imagery on every blog. However, this is going to be the second time this week I have effectively stolen content from fashion156. This illustrators work is so completely stunning that I could not just let it pass me, or you, by.
I have to draw clothes for my day-to-day job, but on a technical rather than artistic level, so I know how difficult it can be to get garments to look exactly how you want them to on paper. I very rarely draw the woman that the clothes are being worn by, so faces and hands are the notoriously alien area that I try to avoid at all costs. It is here that I introduce you to Cedric Rivrain. Fashion Illustrator extraordinaire, and a true talent at capturing the beauty of a model and her garment, armed with a simple lead pencil and a few colours to match.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-6HQiCoA-dSeOLT4UA22HQWKLyymg0z19GTf4jDDwS-b0hMN_gP_s7gmuwhPbDj5yaMmeRiegOrZliZJ9xlDj6OCi7WHvtDlUJyZ1678p75pVQM7SYQIepgtF92uDnFq-yamKDgHjTQ/s800/Marni3-CedricRivrain.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFxEm8JDgQ5bZogfqRWBwd-kB_U7MoNjj08nBvdBxH3HbfZTWaNsEHtDQx7v8UF-njn0v3gJRWOaeuNDpYqrH2Xe3GQoJlm3vEcCTiNANS60KkdSOTyfaXInR_nEx3HWDbA4P_IXLL3w/s800/KateMossCedricRivrainC.jpg)
I would love to sit down with Cedric and get some good advice about how he creates such beautiful drawings, and have a chat about his techniques. A tip I will definitely be trying out for myself though is his use of coloured/textured papers and white colouring pencil for highlighting areas. It works really well, and when mixed with using abstract colours on the skin it creates a wonderfully dramatic illustration. All of the above combined with his innovative 'face plasters', to me, is almost perfection.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_GYcJS4Erbk982WpoucYwop2I2t71c_ZULbBDEtgn3bBFiaQVRWqDLRp9gry_CYNa2y7Ued_i7_3ouYY1zT2nJ4FRrs3SpPXo4_G1XwlHBdBpZWJAY2WLN6fGt_Ew5TuSbKS8WE72sw/s800/CedricRivrainDBPradaCT.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNU71jVGUKIW4WD-N7H8JcQq0u3hSwWZkIL98Ke4SMu08oA2hsvhQxsudnNM4EZc-zaK-UbFEwVO_HST9hx2gc68s98Ofz7-S37-Qy4Dr7AuydcS78MjQ5Ef1NduyEXSEkNvuHVQ0h4A/s800/CedricRivrainDBJilSanderCT.jpg)
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